Incendies: relevant as ever

INCENDIES is a punch in the heart. It petrifies you as it speaks the language of any given war with the addendum, that additional element, that it is a sectarian war which turns into your blood system as a reminiscence of the Lebanese civil war (1975-1990, 150.000 lives lost).

It is one of the strongest films I have ever watched.

Simon and Jeanne are twins of Arab origin living in Canada where they must visit a notary to hear their mother’s will.
Out of the blue, they discover they have a brother and that their father is still alive.
To put things in order, deal with their mother’s last wishes and continue with their life, they have to travel to an unnamed Middle Eastern country that is recovering from years of sectarian war.
While painfully discovering their mother’s past, their future will never be the same.

Adapted from Wajdi Mouawad’s 2003 play (Mouawad fled Lebanon when he was eight), Incendies overflows with atrocities, yet it leaves an indelible impression as no one plays the victim: wars happen and we all act accordingly, whether with moral nobility or imbued with wickedness.

Directed by Denis Villeneuve – Canada, France, 2010, the film convinced me to say, again, that I highly dedicate the narrative to all those who dream of revolutions and of a fictionary ‘last war that will restore stability and world order’. Buffoons.